The Infamous Proust Questionnaire

In the back pages of Vanity Fair each month, readers find The Proust Questionnaire, a series of questions posed to famous subjects about their lives, thoughts, values and experience. A regular reference to Proust in such a major publication struck me as remarkable, and it was only until I'd read Andre Maurois's Proust: Portrait of a Genius that I understood what this was all about.

The young Marcel was asked to fill out questionnaires at two social events: one when he was 13, another when he was 20. Proust did not invent this party game; he is simply the most extraordinary person to respond to them. At the birthday party of Antoinette Felix-Faure, the 13-year-old Marcel was asked to answer the following questions in the birthday book, and here's what he said:
Marcel at age 13, 13kb gif

This questionnaire tells us much about two things, the character of petiit Marcel, and the amusement of the young in the Belle Epoque. We see Marcel as a sweet and dreamy Mama's boy, brainy, aesthetic, a young citizen of the world with much sympathy for the feminine. What he sees in Pliny the Younger, famous only for speaking and writing letters, is hard to grasp.

What is fascinating about this questionnaire is that it was considered so great an amusement to very young people in Proust's time. It is hard to imagine a party of 13-year-olds in these times being quizzed about their favorite virtues, painters or characters of fiction and history. If the questionnaire were not to smack of exam, it would have to ask "what's your favorite TV show?" or "what's your favorite band?"

Seven years after the first questionnaire, Proust was asked, at another social event, to fill out another; the questions are much the same, but the answers somewhat different, indicative of his traits at 20:
Marcel in his twenties, 12kb gif

The second set of questions and answers give us Proust as a young man, mad for conquest, drawn to love crossing conventional sexual lines, still fixated on Mama. His aesthetic sensibilities have grown more serious (I, however, would not give up Mozart for Schumann, with all his interminable faux endings.) In these responses are early threads of character found in the narrator of Remembrance.

The Vanity Fair Story...

When the editors of Vanity Fair gathered to discuss a regular interview format for coming issues, one staff member suggested creating a "Vanity Fair Questionnaire." The magazine's London editor, Henry Porter, and Editor-in-Chief Graydon Carter, brought up the idea of the Proust Questionnaire, which met with the hearty approval of the numerous Proust afficianados on the staff. Senior Editor Aimee Bell , a fan herself, took on the task of researching and producing this feature, with the assistance of the University of Kansas professor Theodore Johnson, a noted authority on Proust. Since July of 1993, a major celebrity has responded to a version of the questionnaire, found in the back pages of each issue.

I mentioned to Ms. Bell that I had not dared to contact Professor Johnson, or any of the other university Proustians, because my own work was so unacademic. "Why?" she said, "Proust would have liked it."

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